Saral €11.95 €10.80
Saral Transfer Paper Sampler Pack
7200770001085 sheets A4
Saral Transfer Paper is wax free so it gives the advantage of erasing like pencil with no smear or smudge. It can be inked or painted over with no skipping or bleeding. The transfer lines can be sponged, washed out or brushed off fabric, and a hot iron will not set them as will other tracing or transfer papers made for fabrics. Saral is econimical and can be used agian & again.
This Sampler Kit contains 1 sheet of each Red, Blue, Yellow, White & Graphite.
21.6x27.9cm/A4
Graphite: The all-purpose tracing medium. Excellent for illustration board and all drawing papers, wood, fabrics, canvas and metal.
Red: Excellent for ceramics and china painting. The lines will fire out. Shows up equally well on light or dark surfaces and mixtures of the two, such as photographs and photostats. May be used on acetate overlays, plastics and enamel.
Blue: Non-photographic. It's not necessary to clean off Saral blue when work goes before the platemaking camera. Ideal for key lines, mechanicals, paste-ups. For Tole Painters, it leaves a bright, easy to see transfer line.
Yellow and White: For tracings on dark surfaces. Excellent on dark fabrics, dark wood, metal, as well as dark painting surfaces. Tole painters find white especially useful. Yellow is best for work on clear or stained glass.
Saral is Certified Non-Toxic
Saral Transfer Paper is wax free so it gives the advantage of erasing like pencil with no smear or smudge. It can be inked or painted over with no skipping or bleeding. The transfer lines can be sponged, washed out or brushed off fabric, and a hot iron will not set them as will other tracing or transfer papers made for fabrics. Saral is econimical and can be used agian & again.
This Sampler Kit contains 1 sheet of each Red, Blue, Yellow, White & Graphite.
21.6x27.9cm/A4
Graphite: The all-purpose tracing medium. Excellent for illustration board and all drawing papers, wood, fabrics, canvas and metal.
Red: Excellent for ceramics and china painting. The lines will fire out. Shows up equally well on light or dark surfaces and mixtures of the two, such as photographs and photostats. May be used on acetate overlays, plastics and enamel.
Blue: Non-photographic. It's not necessary to clean off Saral blue when work goes before the platemaking camera. Ideal for key lines, mechanicals, paste-ups. For Tole Painters, it leaves a bright, easy to see transfer line.
Yellow and White: For tracings on dark surfaces. Excellent on dark fabrics, dark wood, metal, as well as dark painting surfaces. Tole painters find white especially useful. Yellow is best for work on clear or stained glass.
Saral is Certified Non-Toxic
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